13. Federmeister –' To Mechanics!' on MFRU 2014

 

Past autumn I was invited again to make a performance for International Festival Of Electronic Arts in Maribor, Slovenia. I was glad that organizers make some space for more analogue/mechanical/electro approaches in their programme so I took a chance to introduce less known but very meaningful manifesto of great slovenian avantgarde poet Srečko Kosovel, titled 'To Mechanics!'

Manifesto, which Kosovel wrote in July 1925, a year before his death at 22, begins: »Mechanics cannot die because it has no soul. Paradox is incomprehensible to mechanics because it transcends mechanical laws. Paradox is a leap from mechanics into life. Paradox is alive as an  electricity. But electricity is not mechanical. Electricity is an element. SO DON'T BE MECHANICAL, BE ELECTRICAL!«

As a metamechanic I am deeply intrigued by this visionary text and it's meaning in digital age. But more about that after July this year, when Federmeister's special performance will took place on his Bukovje Base farm to dignify 90th anniversary of creation of the manifesto.

One of the compositions I include into the performance was also 'Fail Better' which I dedicated to another visionary deeply connected to electricity – Nikola Tesla. It was performed for the first time and I used qoutes from his interviews as a text. This time in Slovene. English version will follow as a studio track... Stay tuned...

12. Concert for efektor and two 3D printers

  

I was invited to prepare a solo performance with two 3D printers for MFRU – KIBLIX 2013 (International Festival of Computer Art) organized in Maribor by Kibla. Initiator of the project was curator Jože Slaček and Jan Sterniša joined as 3D printer operator.

The project capitalizes on the acoustics typical of plastic wire 3D printing processes. Two printers will be printing two different objects, causing different sound effects, but due to the typical repetitive movements there is a chance of occasional synchronicity. The rhythmic background is enhanced by my performance on efektor. The entire performance is topped off by a video projection consisting of 3D animations and a live captured recording.

The story of 3D printing began in 1986 with the invention of stereolitography, which uses thermal lasers to manufacture individual forms from raw materials. This gave rise to the development of 3D printer models that represent modern-day desktop printers or “personal factories”. Today, 3D printers are the technology that anticipates some of future’s greatest changes. The expectations are immense: manufacturing of clothes, medicine, food and even human organs. The scheduled program will shed some light on the possibilities of 3D technologies and their creative use.

Videos and more information about authors are available on:

http://mfru-kiblix.si/koncert-3d-tiskanja-joze-slacek-ortotip-2013/?lang=en 

11. RENEGADE – The poet of the trash

»My name is Franz. Professor Franz Spielmann.

I'm a philosopher by education, drummer by my heart and renegade by my profession.

I come to
 tell you a story.

Story about events which had to happen, that we meet each other here tonight...«

These are the opening lines from Renegade, musical stereodrama for a man and a machine. But as prof. Spielmann said, many important events had to happen before he could take over the stage and told us his story.

Past two years I've felt a strong urge to express some of my metamechanical ideas. As we know from McLuhan on »The medium is the message«, so I had to find my own way how to do it. I've already wrote some texts about metamechanics, had some lectures and made a short documentary for TV Slovenia, but I was still looking for a new form to present my ideas to the public.

Past June I've moved to Bukovje area near Laško in a small family house we had for more than 30 years. It is a place where the road ends, but also a place where the only frontier of becoming of your spirit is your imagination. I had to be alone to made an inner space in myself where my becoming could resonate strong enough to become real.

I've arranged an improvised recording studio and rehersal room in a garage. For next three months during summer I've composed the rest of the music and prepared myself for live performance, merging elements of drama, concert and ritual with techical help of my mostly selfmade gear.

Professor Franz Spiellman, a renegade who left modern society and found his new home, life and it's meaning on a junkyard, researching a trash and making strange machines out of it.  He call them 'meaning generators', machines which aim is not a highly efficient production of material things but production of pure meaning.

Renegade is a visionary who recognized  an infinite potential of the trash:

»Trash is dark side of modern world. Banned and forgotten world beyond Narcissus  mirror. Trash is omnipotence – universal material  of the future. The only limitation of  potency of  trash, final frontier of  its recombining possibilities is only our knowledge and imagination.«

And last but not least: Renegade is the pioneer and teacher for the future generations which will have to cope with problems they got from us as the only gift.

10. The Stroj - Metafonik: Soundtrack for metamechanics

 

I'm pleased to announce the release of album Metafonik  I've made with The Stroj collective. It will be our fourth album in 16 years of our creative existance and resistance.

Name 'The Stroj' comes from Slovene word ‘stroj’ which means 'a machine’. Pronounced as 'stroy', together with ‘the’, the phrase sounds as ‘destroy’, so The Stroj is a pun with two meanings: machine and destruction.

I have gathered The Stroj in 1997 in Laško, Slovenia. Originally The Stroj was a percussive band, consisting of eight members who used plastic and metal waste barrels, discarded machine parts and various working tools to make our own musical language. Distinctive percussive compositions, mechanically structured rhythms and industrial sounding  instruments marked our early musical work. Music from that period can be found on albums Ventilator (1999) and Gremo! (2002). When artist and musician Aleksij Kobal joined the collective, the group's music became enriched by original wind and string instruments, as recorded on the album Cona/The Zone (2006). All three albums were produced by Aldo Ivančič (Borghesia, Bast), who had an important influence on distinctive sound during this period. Until now, more than 30 musicians and performers collaborated with us and became a part of  The Stroj story. 

You can find more info about The Stroj collective here: www.thestroj.com

 

On our new album Metafonik we are developing the concept of material music, based mostly on heavy percussions, further with new electro mechanical instruments, electronics and computer. My vision of metamechanical music forced me to upgrade our instrumental arsenal with instruments from all eras of human creative history: most basic accoustic percussions and strings, electro mechanical inventions from past century as coils and piezo pickups and modern electronic devices which allows us to play live using field recordings and samples and manipulate them almost without limits.

Here's the video for our first single, released  Animation of sound which appears several times in second part of the video is called cymatics. It is a physical phenomena which arises when small particles of fine powders or liquids are exposed to mechanical vibrations. For this video I used strong loudspeaker as mechanical driver and fine metal powder and silver dust as medium. So what you see are real sound effects of the composition on matter.

 Our latest single from Album Metafonik is Zombie Hunters. You can download it free from SoundCloud: https://soundcloud.com/the-stroj/the-stroj-zombie-hunters

 

If you want to get your own copy of Metafonik, please contact me on metamekanix@gmail.com

9. Cymatics – The Spirit of Matter

Somewhere in the middle of 18th century Ernst Florence Friedrich Chladni (1756-1827) threw  a fist of salt on thin metal plate and rub its edge with a violin bow. He was very surprised when noticed that every tone he got from the metal plate rearanged salt in different pattern. He was so impressed with this discovery that he dedicated a major part of his life to further investigations on field of accoustics. He demonstrated his experiments all over Europe and published his discoveries in a book 'Entdeckungen über die Theorie des Klanges (Discoveries in the Theory of Sound)'. The book was published in 1787 and because of its importance he is today known as the father of accoustics. Chladni proved that the pressure derived from sound waves affects physical matter.

  

In the  sixties in past century, Swiss physician and natural scientist Hans Jenny (1901-1972) rediscovered Chladni's experiments and started with his own research on that field. He used piezo oscillators to vibrate different metal plates and membranes which allowed him to made further discoveries in a field he named cymatics. He derived that name from greek words 'to kyma' – the wave and 'ta kymatika' – matters pertaining to waves.

 

His discoveries were published in two volumes of book 'Cymatics – A Study of Wave Phenomena and Vibration (1967 /1972). Jenny noticed that patterns, created by vibrations, oscilations and rhythmical pulses can be found anywhere in nature. So he was convinced that biological evolution is a result of vibrations. His experiments were also presented in a great short movie 'Cymatics – Bringing Matter To Life With Sound' which can be found here:

I've accidentally see cymatics for the first time in the beginning of 2007 when watching Discovery Channel and in the evening of the same day I've already performed my first experiments with flour from my kitchen and dismantled loudspeaker.

Two years later I managed to prepare first cymatic project Kymatikon. I used cymatics to visualize live concert with The Stroj collective on a big screen in Kinodvor cinema in Ljubljana. It was the first presentation of cymatics in Slovenia and the video is avaliable here:

http://vimeo.com/4441357

From 2010 I'm using my own system for cymatic visualization named Kymatikon regularly in different musical projects of my own and I'm still thrilled with results as I was the first time I've seen it.

Here you can see a compilation of my favourite experiments: