I like to work with kids. I found it very challenging , especially keeping their attention focused when I want to explain them something they never heard and see before. One should use a lot of imagination and theatrical skills to hold their interest, otherwise they won't give a damn to your efforts.
This time I was invited to prepare an educational performance for elementary school in Laško with some additional students from other schools in our community. About 1000 pupils between 7 and 14 years filled up the main hall of local cultural center for 4 times.
I asked my nephew Franko to help me with performance and add some of his jokes into the scenario. We also prepared a rap song with his lyrics to make things more exciting.
I took a role of mad professor and Franko was himself, accidentally lost in my 'Sonic laboratory'. I've explained him my method of work and showed him what sound does with powder and liquid.
I also told him about neanderthal flute from Divje babe cave, the oldest instrument found so far, dating more than 40.000 years back. As an instrument builder using mostly discarded materials, I feel closely related to our ancestors which used to make music out of anything appropriate they could find.
After final song we invited most curious pupils to join us on stage and take a look on my sound devices like efektor, theremin and cymatic machines for sound visualization. Their enthusiasm exceeded my expectations and gave me a great reward for all the efforts.
Metamechanics blog is dedicated to post-mechanistic ideas, free thinking and creative imagination. Metamechanics explores innovative non mechanistic concepts and approaches in art, science, philosophy, technology and other fields of human activitiy. Metamechanics is a strategy of creative thinking for the future world of rapid and radical change which is already here but we are not ready to face and accept it yet.
Prikaz objav z oznako cymatics. Pokaži vse objave
Prikaz objav z oznako cymatics. Pokaži vse objave
četrtek, 7. februar 2019
četrtek, 21. junij 2018
28. Chladni Plates
I was asked if I could make a sound sculpture with chladni plates for visitors of Museum of Senses in Split, Croatia. While playing with violin bow on different plates and trying to get interesting patterns I was amazed again and again with this simple contraption which principles were complete mystery two centuries ago.
After finishing the sculpture I spend some more time with plates to see what another configuration is capable. This time I used electric driver and theremin as a sound source and the results were quite exciting.
After finishing the sculpture I spend some more time with plates to see what another configuration is capable. This time I used electric driver and theremin as a sound source and the results were quite exciting.
petek, 11. november 2016
19. Cymatics On The Edge of Science
On The Edge of Science is a production of Croatian national TV hosted by renown journalist and author Krešimir Mišak. He explores many fields on the verge of official science like parapsychology, alternative approaches in medicine, altered states of consciousness, alternative history etc. I was invited to present my cymatics research and put it in a wider context. So we discussed about history of cymatics, fractal geometry, dissipative structures of Ilya Prigogine, rhythmanalysis of Henry Lefebvre, morphogenetic fields of Rupert Sheldrake, Pribram's concept of holographic mind, Bohm's implicite order and about the role of vibrations in general perception of life and the cosmos.
It was an important step in my efforts to raise awareness of public toward vibrational phenomena and the importance of sound as one of the basic formative processes in cosmos.
You can watch the episode here:
https://www.youtube.com/watch?v=-yYYUkfUK24
petek, 30. avgust 2013
10. The Stroj - Metafonik: Soundtrack for metamechanics
I'm
pleased to announce the release of album Metafonik I've made with The Stroj collective. It will
be our fourth album in 16 years of our creative existance and resistance.
Name
'The Stroj' comes from Slovene word ‘stroj’ which means 'a machine’. Pronounced
as 'stroy', together with ‘the’, the phrase sounds as ‘destroy’, so The Stroj
is a pun with two meanings: machine and destruction.
I
have gathered The Stroj in 1997 in Laško, Slovenia. Originally The Stroj was a percussive
band, consisting of eight members who used plastic and metal waste barrels,
discarded machine parts and various working tools to make our own musical
language. Distinctive percussive compositions, mechanically structured rhythms
and industrial sounding instruments
marked our early musical work. Music from that period can be found on albums
Ventilator (1999) and Gremo! (2002). When artist and musician Aleksij Kobal
joined the collective, the group's music became enriched by original wind and
string instruments, as recorded on the album Cona/The Zone (2006). All three
albums were produced by Aldo Ivančič (Borghesia, Bast), who had an
important influence on distinctive sound during this period. Until now, more
than 30 musicians and performers collaborated with us and became a part of The Stroj story.
You can find more info about The Stroj collective here: www.thestroj.com
Here's
the video for our first single, released Animation of sound which appears several times
in second part of the video is called cymatics. It is a physical phenomena
which arises when small particles of fine powders or liquids are exposed to
mechanical vibrations. For this video I used strong loudspeaker as mechanical
driver and fine metal powder and silver dust as medium. So what you see are
real sound effects of the composition on matter.
Our
latest single from Album Metafonik is Zombie Hunters. You can download it free from
SoundCloud: https://soundcloud.com/the-stroj/the-stroj-zombie-hunters
If you want to get your own copy of Metafonik, please
contact me on metamekanix@gmail.com
ponedeljek, 27. maj 2013
9. Cymatics – The Spirit of Matter
Somewhere in the middle of 18th century Ernst Florence Friedrich Chladni (1756-1827) threw a fist of salt on thin metal plate and rub its edge with a violin bow. He was very surprised when noticed that every tone he got from the metal plate rearanged salt in different pattern. He was so impressed with this discovery that he dedicated a major part of his life to further investigations on field of accoustics. He demonstrated his experiments all over Europe and published his discoveries in a book 'Entdeckungen über die Theorie des Klanges (Discoveries in the Theory of Sound)'. The book was published in 1787 and because of its importance he is today known as the father of accoustics. Chladni proved that the pressure derived from sound waves affects physical matter.
In the sixties in past century, Swiss physician and natural scientist Hans Jenny (1901-1972) rediscovered Chladni's experiments and started with his own research on that field. He used piezo oscillators to vibrate different metal plates and membranes which allowed him to made further discoveries in a field he named cymatics. He derived that name from greek words 'to kyma' – the wave and 'ta kymatika' – matters pertaining to waves.
His discoveries were published in two volumes of book 'Cymatics – A Study of Wave Phenomena and Vibration (1967 /1972). Jenny noticed that patterns, created by vibrations, oscilations and rhythmical pulses can be found anywhere in nature. So he was convinced that biological evolution is a result of vibrations. His experiments were also presented in a great short movie 'Cymatics – Bringing Matter To Life With Sound' which can be found here:
I've accidentally see cymatics for the first time in the beginning of 2007 when watching Discovery Channel and in the evening of the same day I've already performed my first experiments with flour from my kitchen and dismantled loudspeaker.
Two years later I managed to prepare first cymatic project Kymatikon. I used cymatics to visualize live concert with The Stroj collective on a big screen in Kinodvor cinema in Ljubljana. It was the first presentation of cymatics in Slovenia and the video is avaliable here:
From 2010 I'm using my own system for cymatic visualization named Kymatikon regularly in different musical projects of my own and I'm still thrilled with results as I was the first time I've seen it.
Here you can see a compilation of my favourite experiments:
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