Metamechanics blog is dedicated to post-mechanistic ideas, free thinking and creative imagination. Metamechanics explores innovative non mechanistic concepts and approaches in art, science, philosophy, technology and other fields of human activitiy. Metamechanics is a strategy of creative thinking for the future world of rapid and radical change which is already here but we are not ready to face and accept it yet.
Prikaz objav z oznako metamechanic. Pokaži vse objave
Prikaz objav z oznako metamechanic. Pokaži vse objave
sreda, 1. februar 2017
21. DIY E-drums
During past ten years I have worked quite a lot with different self made electronic pads in addition to basic The Stroj percussive arsenal which includes rough percussions like plastic oil drums, assorted cymbals, coils and metals, kick and coil drums. So I decided to make some prototypes of heavy duty electronic pads connected to drum module (recently I'm working with 2Box DrumIt Five). Car tires already proven their durability so I used them for pads. Their response and dynamic work well enough for our purpose as we tested them as oil drums the crew is usually playing.
I was quite lucky to find a small trampoline in a junkyard not far away from my house. Except the pink plastic, It seemed to be the perfect head for E - Kick.
And it was. Heavy duty, very responsive, hi-tech and with retro futuristic appeal I really like.
To hear them in action, stay tuned for my further projects....
Oznake:
diy,
drums,
e drums,
e pads,
electronic percussion,
federmeister,
metamechanic,
primož oberžan,
retro futuristic,
self made,
stroj,
the,
thestroj
sreda, 22. maj 2013
7. Federmeister turns on himself
After twenty four years of active drumming and sixteen years of leading The Stroj collective the time comes to do something strictly by myself. Past three years I was driven by idea to build a gear which will allow me to create music completely independant and against all odds. I've started with a board, typewriter and some springs and mechanical toys to made my first soundboard named Efektor. It was a great fun at the beginning and I explored sound possibilities of my table orchestra like a small kid with big plans.
Do not hesitate to contact me if you want to experience how my retrofuturistic metamechanical gear sounds live when Federmeister takes over controls. Live acts, custom made performances, workshops, lectures, composing, cymatic visualizations... Name it, we make it!
It sounded great at first, but when I connected it to the stronger PA first problems had begun. Feedbacks and crosstalk problems took me another year to find out proper pick up places, good preamps and audio interface capable of recording and sounding on professional level. When I managed to overcome problems with amplification I've connected Efektor with computer and midi controllers, which allow me to manipulate mechanical sounds with electronic effects, live looping, adding pre recorded parts and controlling a computer with my feet while performing.
Finaly, as a drummer and rhythmanalyst, I could not resist to add my coil drums to the sonic arsenal of my own.
Through this process and following the motto »Let's make something out of what they made of you!« Federmeister was born. Past six months he's rehersing hard and composing songs which I could not imagine before I've become him.
Federmeister is turned on and ready to go. Sound bless you, Federmeister! And keep the beat on the sonic highway of your becoming...
Do not hesitate to contact me if you want to experience how my retrofuturistic metamechanical gear sounds live when Federmeister takes over controls. Live acts, custom made performances, workshops, lectures, composing, cymatic visualizations... Name it, we make it!
6. Musical therapies on University Rehabilitation Institute
About a year ago I've managed to get in contact with dr. Hermina Damjan, the Head of University Rehabilitation Institute Soča in Ljubljana. I wrote her about my idea to construct some simple electro mechanical instruments and percussions, adapted to their patients and my wish to collaborate with their institution and patients.
After inceptive meeting with dr. Damjan and her colleagues, they became interested in my proposal so I prepared a presentation for their patients to see if they were interested to join my programme. I decided to use theremin and efektor for the presentation because my experience shows they seem to be the most interesting instruments on presentations like this, when I usually have to break the ice of astonishment and suspicion.
As you can see they became really enthusiastic about trying them out, so I've got the permission for two workshops per week, one for the children and one for adaults.
In next step I've managed to get some funds from Municipality of Ljubljana to built the instruments. I've built a small replica of efektor, amplified typewriter, simple string instrument in addition with theremin and a drum. I've also used some effects and a looper which allows anyone, no matter how weak his music abilities are, to create exciting soundscapes and improvised compositions where nothing can go wrong because it always happen for the first time. Therapists from the institute agreed that performing properties of those instruments should have a positive effect on motoric abilities of their patients suffering stroke, traumatic brain injuries and neuromuscular diseases.
And so it all began...
I must admit I was a bit nervous before my first session with patients. During preparation of gear I remembered Jack Nicholson from One Flew Over The Cockoo's Nest which gave me a quick releif: I should just be a clever clown, showing them some fun with sound and invite them to participate and form a unique band. Interaction, awareness, response, feeling of power, getting the tune, falling in rhythm, tuning in and creating limitless world of sound in spite of limited abilities, that's all about...and it's all Rock'n'Roll!-)
After inceptive meeting with dr. Damjan and her colleagues, they became interested in my proposal so I prepared a presentation for their patients to see if they were interested to join my programme. I decided to use theremin and efektor for the presentation because my experience shows they seem to be the most interesting instruments on presentations like this, when I usually have to break the ice of astonishment and suspicion.
As you can see they became really enthusiastic about trying them out, so I've got the permission for two workshops per week, one for the children and one for adaults.
In next step I've managed to get some funds from Municipality of Ljubljana to built the instruments. I've built a small replica of efektor, amplified typewriter, simple string instrument in addition with theremin and a drum. I've also used some effects and a looper which allows anyone, no matter how weak his music abilities are, to create exciting soundscapes and improvised compositions where nothing can go wrong because it always happen for the first time. Therapists from the institute agreed that performing properties of those instruments should have a positive effect on motoric abilities of their patients suffering stroke, traumatic brain injuries and neuromuscular diseases.
And so it all began...
I must admit I was a bit nervous before my first session with patients. During preparation of gear I remembered Jack Nicholson from One Flew Over The Cockoo's Nest which gave me a quick releif: I should just be a clever clown, showing them some fun with sound and invite them to participate and form a unique band. Interaction, awareness, response, feeling of power, getting the tune, falling in rhythm, tuning in and creating limitless world of sound in spite of limited abilities, that's all about...and it's all Rock'n'Roll!-)
ponedeljek, 13. avgust 2012
4. Profession: Metamechanic
'Profession: Metamechanic' is a short movie about my recent metamechanical research and experiments. Movie was filmed and edited by Jaka Žilavec from The School Of Arts of University of Nova Gorica as a part of the project Researcher's Night 2011 in Nova Gorica.
You can watch me explaining some basic metamechanical concepts, already explained in the first three posts of this blog. This time unfortunately without english subtitles.
Link:
http://vimeo.com/30849998
nedelja, 12. avgust 2012
3. How to become a metamechanic?
Metamechanic
does what interests him and because he is interested in.
Metamechanic
commits himself into research of imaginary technologies
and construction of meaning generators.
Meaning
generators can be assembled, composed, shaped, written, painted or created any
other way.
Metamechanic constructs meaning generators and dreams
about imaginary machines with very particular aim in his mind: to express and
manifest himself on a geniuine way, to transorm his being into becoming and
himself into meaning generator as well.
Metamechanic
does not perceive himself as eternal and unchangeable spiritual substance which
yet has to be discovered, but as pure becoming, knitted from vibrational fields
in an complex, self aware being, bounded with neccesity of history and matter,
but free to concieve new concepts for new meanings and possibilities in his
life.
So
metamechanic considers himself as machine capable of assembling itself on
infinite number of ways. Like it is used to said: »Let's make something out of
what they made of you!«
For
metamechanic the evolution of the world is not a constant process of progress,
but a constant process of transformations, repetitions and variations in
endless game of time and energy. Movement of metamechanic's spirit is exactly the opposite
to the movement of matter, which is absolute necessity. He creates and plays
against necessity and aspires for freedom through manifestation of
possibilities he's only able to perceive.
Therefore
metamechanics is a mode of existance, resistance and becoming. It is a creative
strategy for the future world of rapid and radical changes which is already here
but we are not ready to face and accept it yet.
There
are only three rules every metamechanic should keep in mind:
The
1st rule:
»I
don't know what I'm searching for, but I know I will find it.«
The
2nd rule:
»Learn
what you can't do, make what you don't have and contrieve what you don't know.«
The
3rd rule:
»You
will discover the rest of the rules when necessary.«
Remember
them as golden rules for the future!
sobota, 11. avgust 2012
2. Why metamechanics?
Term 'technology' is etymologically derived from the ancient Greek word 'techne' which described the work of artisans and craftmen. 'Technicians' of that time were skilled for most of the domestic works, farming and slavery, but their knowledge was heavily based on tradition so they didn't seek for any particular innovative thinking regarding their simple practical problems. And nonetheless, they used slaves as the main energy source.
Most
famous thinkers from that era were also not keen about technics. Aristotle saw
it as representative of the imperfection of human imitation of nature. And
Archimed, one of the greatest engineers of that time, considered it as vulgar
and ignoble. For them, the real science was 'episteme' – study of abstract,
absolute and eternal principles which define our cosmos.
Term
'machine' is derived from Greek term 'mechane (mechanike)' which was used to
describe a stage crane made of wooden beams and pulley systems, used in Greek
theaters to bring gods on the stage from above. Hence also the Latin term 'Deus
ex machina'. So the notion of mechanics
literally derives from machine which enabled gods to unexpectedly intervened
and redirected unfair destiny of tragical heroes.
In
that context word 'mechanike' was used
to describe mechanical trickery, but it also signified technical contrivance
and invention.
The
birthplace of the mechanics also echoed at the end of 16th century when new
genre of literature appeared. 'Theatrum Machinarum' (Theatre Of Machines) was
general name for various ilustrated encyclopedias, describing the technology of
that era.
Two
thousand years later technology completely lost it's basic mechanical spirit.
In pre industrial societies technology served to relieve heavy everyday
occupations and keep the spirit high, in industrial era it becomes servant of
capital and profit and in information age it becomes instrument of complete
control and programming of masses as consumers. Machines are still trickery,
even more than ever, but ritual from the theatre was replaced with marketing
and entertainment. Market wants for modern machines to be consumed.
But we don't need more
machines, machines need more from us.
Although our computer
technology seems to be very developed, some basic concepts in our collective
unconsciousness are still programmed mechanical manner like Newtonian clockwork
concept of the universe (causality, matter and mind divided, objects divided by
empty space etc…). If we want to invent post Newtonian meta-machines, we have
to quit thinking mechanically first.
Invention of quantuum mechanics
almost a century ago gave us concepts and opportunity to take off the
materialistic / mechanistic glasses and perceive the world as mysterious
manifestation of vibrations, interferations and resonances of energy, where
'particles' does not obey any of Newtonian laws. Unfortunately, for majority of
us, this giant insight into other modes
and possibilities of existence still sounds like some esotheric quackery of
bunch of crazy scientists and so has nothing to do with our everyday
experience.
Quantum mechanics was also able
to demonstrate that mind and matter are not separated realities and that
there's no 'objective' world without the observer. This cognition brings
imagination in completely new context: it's not just playing with images and
forms but responsible search for new ways of expression and coexistance.
In this context science also
becomes close to what Alfred Jarry called pataphysics: "the science of imaginary solutions, which
symbolically attributes the properties of objects, described by their
virtuality, to their lineaments". Most of scientists think that scientific
research has nothing to do with imagination. But they forget that all theories,
concepts and paradigms are just abstract ideas, which emerged straight from
human imagination.
Many
mainstream scientists consider there’s not much left to discover in our world,
but they don’t know what Kant, Nietzsche and other philosophers had discovered
many years ago: that science does not discover but invent the world we are
living in. So artists should teach scientists how to imagine and
scientists should help artists to realize their ideas on technical level.
Quantum mechanics opened a new
gate to bring closer modern science with mind oriented spiritual teachings and
traditions. It’s time (if there’s any time left) to realize, that our
consciousness (not just identity) is not ultimately determined, if we can
perceive it like meta-machine. There’s no doubt we can shift our consciousness
by different breathing techniques, meditation, dance and music, rhythmic visual
stimulation, deprivation etc… Experimenting with new forms of self does not
shift just our ego based identity but also the very nature of the world we
perceive.
We said at the beginning that
word 'technology' was derived from Greek term 'techne' which describes
practical skills and craftmanship. But in 'technology' we can also find another
word 'logos', which Greeks used to name word, meaning and the highest order of
creation. During the history of science mechanicism, empirism, reductionism,
functionalism, logical positivism and cybernetics reduced the essence of
technology to pure technics, senseless global machinery which keeps our
civilisation alive and dependant at the same time. Metamechanics is trying to
overcome this paradox with methamecanical turn which is called 'logotechnics'.
In logotechnics technology is strictly subordinated to production of meaning,
but not to optimization and profit.
»Kraft,
ohne Kunst, ist hier umsunst.«
Jacob
Leupold – Theatrum Machinarum Generale (1727)
Oznake:
Alfred Jarry,
Archimed,
Aristotle,
imagination,
Jacob Leupold. logotechnic,
Kant,
logos,
mechane,
mechanike,
metamechanic,
Nietzsche,
pataphysics,
techne,
technology,
theatrum machinarum
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